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the_art_of_war_00001
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
Tazwara
1
TAẒURI N ṬṬRAḌ
THE ART OF WAR
3
14
the_art_of_war_00002
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
Tazwara
2
Sɣur Sun Tzu
By Sun Tzu
3
12
the_art_of_war_00003
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
3
AḤRIC I. ASBEDDI N YIƔAWASEN
CHAPTER I. LAYING PLANS
5
28
the_art_of_war_00004
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
4
1. Yenna-d Sun Tzu : Taẓuri n ṭṭraḍ tesɛa azal ameqqran i uwanek.
1. Sun Tzu said: The art of war is of vital importance to the State.
13
65
the_art_of_war_00005
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
5
2. D tamsalt n tudert neɣ n lmut, abrid neɣ ɣer laman neɣ ɣer nnger. Ihi d asentel n usesteb ur nezmir maḍi ad t-neǧǧ.
2. It is a matter of life and death, a road either to safety or to ruin. Hence it is a subject of inquiry which can on no account be neglected.
25
118
the_art_of_war_00006
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
6
3. Taẓuri n ṭṭraḍ, ihi, tettwaḥkem s xemsa n yiɣewwaṛen ur nettbeddil, ara yettwaḥseb yiwen deg tmuɣliwin-is, mi ara yettnadi ad d-yaf tiwtilin i yellan deg wurti.
3. The art of war, then, is governed by five constant factors, to be taken into account in one’s deliberations, when seeking to determine the conditions obtaining in the field.
27
163
the_art_of_war_00007
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
7
4. D wigi: (1) Asaḍuf Aɣaran; (2) Igenni; (3) Lqaɛa; (4) Amḍebber; (5) Tarrayt d uḍebsi.
4. These are: (1) The Moral Law; (2) Heaven; (3) Earth; (4) The Commander; (5) Method and discipline.
16
88
the_art_of_war_00008
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
8
5. Asaḍuf aɣerfan yessefham agdud d umḍebber-is akken ad t-yeḍfer akken yebɣu yili tudert-is, war ma yugad kra n umihi.
5. The Moral Law causes the people to be in complete accord with their ruler, so that they will follow him regardless of their lives, undismayed by any danger.
20
119
the_art_of_war_00009
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
9
6. Igenni yemmal-d iḍ d wass, asemmiḍ d uzɣal, tallit d teswiɛin.
6. Heaven signifies night and day, cold and heat, times and seasons.
12
65
the_art_of_war_00010
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
10
7. Lqaɛa deg-s imecṭaḥ, imeqqranen d imecṭuḥen; amihi d tɣellist; akal yeldin d yiɣewwaṛen iwḥiden; tiwtilin n tudert d lmut.
7. Earth comprises distances, great and small; danger and security; open ground and narrow passes; the chances of life and death.
20
125
the_art_of_war_00011
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
11
8. Amḍebber d win yesɛan tamusni, d win yeṣfan, d win iḥemmlen, d win yesɛan tabɣest, d win iḥerzen.
8. The Commander stands for the virtues of wisdom, sincerity, benevolence, courage and strictness.
19
100
the_art_of_war_00012
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
12
9. S tarrayt d uḍebsi, ilaq ad nefhem asuddes n lɛesker deg yiḥricen-is iwulmen, asuddes n yiswiren gar yimḍebbren, aḥraz n yiberdan swayes ara awḍen yiɣewwaṛen ɣer lɛesker, akked usenqed n tedrimt n lɛesker.
9. By Method and discipline are to be understood the marshalling of the army in its proper subdivisions, the gradations of rank among the officers, the maintenance of roads by which supplies may reach the army, and the control of military expenditure.
34
208
the_art_of_war_00013
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
13
10. Xemsa-a n yiɣallen ilaq ad ten-issin yal ajenṛal: win i ten-yessnen ad yerbeḥ, win ur ten-yessin ad yexser.
10. These five heads should be familiar to every general: he who knows them will be victorious; he who knows them not will fail.
19
111
the_art_of_war_00014
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
14
11. Ihi, mi ara d-tessneḍ amek i tettiliḍ deg ṭṭraḍ, ilaq ad tiliḍ am win yeqqaren:
11. Therefore, in your deliberations, when seeking to determine the military conditions, let them be made the basis of a comparison, in this wise:
16
83
the_art_of_war_00015
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
15
(1) Anwa seg sin-nni n yigelliden i yesɛan asaḍuf Aɣaran ?
(1) Which of the two sovereigns is imbued with the Moral law?
11
58
the_art_of_war_00016
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
16
(2) Anwa deg sin-nni n yijenralen i izemren ugar ?
(2) Which of the two generals has most ability?
10
50
the_art_of_war_00017
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
17
(3) Anwa i yesɛan lfayda n igenni d lqaɛa ?
(3) With whom lie the advantages derived from Heaven and Earth?
10
43
the_art_of_war_00018
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
18
(4) Anta tama i d-yettwaḥettem uɛaqeb s waṭas ?
(4) On which side is discipline most rigorously enforced?
9
47
the_art_of_war_00019
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
19
(5) Anta taredsa i iǧehden?
(5) Which army is the stronger?
5
27
the_art_of_war_00020
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
20
(6) Anta tama i yesɛan imḍebbren d yergazen i yesɛan aselmed ifazen ?
(6) On which side are officers and men more highly trained?
13
69
the_art_of_war_00021
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
21
(7) Anta taredsa i yesɛan tiɣimit meqqren deg tkarḍa d uḥasef ?
(7) In which army is there the greater constancy both in reward and punishment?
12
63
the_art_of_war_00022
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
22
12. S sebɛa-agi, zemreɣ ad d-iniɣ ma ad rebḥeɣ neɣ ad xeṣṛeɣ.
12. By means of these seven considerations I can forecast victory or defeat.
12
61
the_art_of_war_00023
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
23
13. Ajenṛal ara yeslen i yiwellihen-iw, ad yerbeḥ, ad yeqqim d aqeṛṛu! Ajenṛal-nni ur nettḥessis i yiwellihen-iw, ur ten-yettaɣ ara, ad yexṣer: ad t-id-ssufɣen seg uxeddim!
13. The general that hearkens to my counsel and acts upon it, will conquer: let such a one be retained in command! The general that hearkens not to my counsel nor acts upon it, will suffer defeat: let such a one be dismissed!
26
172
the_art_of_war_00024
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
24
14. Ɣef lǧal n lfayda n yiwellihen-iw, seqdec daɣen kra n tegnatin inefɛen nnig n yilugan imezwura.
14. While heeding the profit of my counsel, avail yourself also of any helpful circumstances over and beyond the ordinary rules.
17
99
the_art_of_war_00025
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
25
15. Ɣef leḥsab n tegnatin, ilaq ad ibeddel yiwen iɣawasen-is.
15. According as circumstances are favourable, one should modify one’s plans.
10
61
the_art_of_war_00026
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
26
16. Ṭṭraḍ akk yebna ɣef lekdeb.
16. All warfare is based on deception.
6
31
the_art_of_war_00027
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
27
17. Ihi, ma nezmer ad neẓdem, ilaq ad d-nban ur nezmir ara; ma nesseqdec lǧehd-nneɣ, ilaq ad d-nban ur nxeddem ara; ma nqeṛṛeb, ilaq ad nerr acengu belli mebɛid i nella; ma yebɛed, ilaq ad t-nerr belli nqeṛṛeb.
17. Hence, when able to attack, we must seem unable; when using our forces, we must seem inactive; when we are near, we must make the enemy believe we are far away; when far away, we must make him believe we are near.
38
210
the_art_of_war_00028
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
28
18. Fket-d ticcert i ucengu. Err-d iman-ik d aɛewwiq, terẓeḍ-t.
18. Hold out baits to entice the enemy. Feign disorder, and crush him.
10
63
the_art_of_war_00029
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
29
19. Ma yella ur t-yuɣ wara, heggi iman-ik fell-as. Ma yugar-ik tazmert, rewwel fell-as.
19. If he is secure at all points, be prepared for him. If he is in superior strength, evade him.
14
87
the_art_of_war_00030
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
30
20. Ma yella aɛdaw-ik yeččuṛ d urfan, ɛreḍ ad t-tesserfuḍ. Rret iman-nwen d imeɛdazen akken ad yerfed iman-is.
20. If your opponent is of choleric temper, seek to irritate him. Pretend to be weak, that he may grow arrogant.
18
110
the_art_of_war_00031
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
31
21. Ma yesgunfa, ur t-ttaǧǧa ara ad yesgunfu. Ma ddukklen yiɣallen-is, ferqemt-ten.
21. If he is taking his ease, give him no rest. If his forces are united, separate them.
12
83
the_art_of_war_00032
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
32
22. Ṭṭef-it anda ur yebni ara, tban-d anda ur k-ttraǧun ara.
22. Attack him where he is unprepared, appear where you are not expected.
11
60
the_art_of_war_00033
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
33
23. Ibenkan-a iserdasiyen, yettawin ɣer rrbeḥ, ur ilaq ara ad d-banen uqbel.
23. These military devices, leading to victory, must not be divulged beforehand.
12
76
the_art_of_war_00034
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC I. ASBEDDI N YIƔAWASEN
34
24. Ajenṛal i irebḥen amennuɣ, ixeddem aṭas n leḥsab deg ufakan-is uqbel ad d-yili umennuɣ. Ajenṛal i ixesren amennuɣ, ur ixeddem ara aṭas n leḥsab uqbel. Akka aṭas n leḥsabat i d-yettawin ɣer rrbeḥ, cwiṭ n leḥsabat i d-yettawin ɣer lexsara: acḥal ihi ulac akk leḥsab! Ma rriɣ ddehn-iw ɣer tneqqiḍt-a, ad ẓreɣ anwa ara i...
24. Now the general who wins a battle makes many calculations in his temple ere the battle is fought. The general who loses a battle makes but few calculations beforehand. Thus do many calculations lead to victory, and few calculations to defeat: how much more no calculation at all! It is by attention to this point tha...
59
343
the_art_of_war_00035
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC WIS II. ṬṬRAḌ ITEDDUN
35
AḤRIC WIS II. ṬṬRAḌ ITEDDUN
CHAPTER II. WAGING WAR
5
27
the_art_of_war_00036
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC WIS II. ṬṬRAḌ ITEDDUN
36
1. Yenna-d Sun Tzu : Deg tmesbanin n ṭṭraḍ, anda llan deg wurti alef n tkeṛyas tizzilen, annect-nni n tkeṛyas ẓẓayen, d mya alef n yiserdasen yeldin, s wayen ara ten-yeǧǧen ad d-awin alef n li, lexlaṣ deg uxxam d lɣerba, gar-asen asedhu n yinebgawen, tiɣawsiwin timecṭuḥin am uẓeṭṭa d tfelwit, d tedrimt i d-yettwafken i...
1. Sun Tzu said: In the operations of war, where there are in the field a thousand swift chariots, as many heavy chariots, and a hundred thousand mail-clad soldiers, with provisions enough to carry them a thousand li, the expenditure at home and at the front, including entertainment of guests, small items such as glue ...
82
438
the_art_of_war_00037
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC WIS II. ṬṬRAḌ ITEDDUN
37
2. Mi ara tennuɣeḍ deg umennuɣ n tidet, ma tɛeṭṭel tarennawt, imrigen n yergazen-nni ad kksen lxiq, ur ten-id-yettɣimi ara leɛqel. Ma tezziḍ ɣer temdint, ad tesruḥeḍ tazmert-ik.
2. When you engage in actual fighting, if victory is long in coming, the men’s weapons will grow dull and their ardour will be damped. If you lay siege to a town, you will exhaust your strength.
28
177
the_art_of_war_00038
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC WIS II. ṬṬRAḌ ITEDDUN
38
3. I tikkelt-nniḍen, ma tɛeṭṭel temsalt-nni, tiɣbula n uwanek ur zmirent ara i lmeḥna-nni.
3. Again, if the campaign is protracted, the resources of the State will not be equal to the strain.
14
90
the_art_of_war_00039
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC WIS II. ṬṬRAḌ ITEDDUN
39
4. Tura, mi ara kksen yemrigen-ik, mi ara k-yeɣli wul-ik, mi ara k-tečča tezmert-ik, mi ara k-yečča agerruj-ik, ad d-kkren imeqqranen nniḍen ara k-id-yawin. Imir, yiwen ur yezmir ad yeṭṭef iman-is seg wayen ara d-yeḍrun, akken yebɣu yeḥrec.
4. Now, when your weapons are dulled, your ardour damped, your strength exhausted and your treasure spent, other chieftains will spring up to take advantage of your extremity. Then no man, however wise, will be able to avert the consequences that must ensue.
38
240
the_art_of_war_00040
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC WIS II. ṬṬRAḌ ITEDDUN
40
5. Akka ihi, ɣas akken nesla s tɣawla d tungift deg ṭṭraḍ, leɛmer i d-nwala tigzi tettili-d s uɛeṭṭel ɣezzifen.
5. Thus, though we have heard of stupid haste in war, cleverness has never been seen associated with long delays.
20
111
the_art_of_war_00041
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC WIS II. ṬṬRAḌ ITEDDUN
41
6. Ulac amedya n tmurt i d-yerran lfayda seg ṭṭraḍ i yeṭṭfen aṭas n wakud.
6. There is no instance of a country having benefited from prolonged warfare.
15
74
the_art_of_war_00042
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC WIS II. ṬṬRAḌ ITEDDUN
42
7. Ala win yessnen mliḥ cceṛ n ṭṭraḍ i izemren ad yefhem akken iwata amek ara t-id-yawi yiwen.
7. It is only one who is thoroughly acquainted with the evils of war that can thoroughly understand the profitable way of carrying it on.
18
94
the_art_of_war_00043
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC WIS II. ṬṬRAḌ ITEDDUN
43
8. Aserdas iẓewren ur d-yettawi ara tazmilt tis snat, ula d ikeryan-is ur d-ttɛebbin ugar n snat n tikkal.
8. The skilful soldier does not raise a second levy, neither are his supply-waggons loaded more than twice.
19
106
the_art_of_war_00044
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
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9. Awimt-d s axxam-nkent tiɣawsiwin n ṭṭraḍ, ma d acengu ad t-teččemt. S wakka ad yesɛu lɛesker ayen ara s-d-yekfun d učči.
9. Bring war material with you from home, but forage on the enemy. Thus the army will have food enough for its needs.
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10. Tigellilt n tedrimt n uwanek tesseḥbibir ɣef lɛesker s tewsa i d-yettunefken s lebɛid. Win yettmuddun afus akken ad yeṭṭef taredsa ɣer lebɛid, ad d-yerr agdud d igellil.
10. Poverty of the State exchequer causes an army to be maintained by contributions from a distance. Contributing to maintain an army at a distance causes the people to be impoverished.
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11. Seg tama-nniḍen, ma qrib-d lɛesker, ad d-alin ssuma; ma d ssuma ɛlayen, ad d-yekkes uɣrum n wegdud.
11. On the other hand, the proximity of an army causes prices to go up; and high prices cause the people’s substance to be drained away.
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12. Mi ara kksen ayla-nsen, ifellaḥen ad ten-yečča lḥif d ameqqran.
12. When their substance is drained away, the peasantry will be afflicted by heavy exactions.
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13. S rrayeɛ-a n tedrimt d uḥerrek-a n tezmert, ixxamen n ugdud ad ttwaḥerzen, tlata n yiɛecṛa n tcehrit-is ad ttwakksen; ma d lexlaṣ n unabaḍ ɣef tkeṛyas yerrẓen, ɣef yiɛewdiwen iɛerqen, ɣef yiɣallen d yiḥelman, ɣef yiẓekwan d yiẓekwan, ɣef yiẓekwan d yiɣallen, ɣef yiɣallen n uḥraz, ɣef yizgaren d yiɛeryanen ẓẓayen, a...
13. With this loss of substance and exhaustion of strength, the homes of the people will be stripped bare, and three-tenths of their incomes will be dissipated; while Government expenses for broken chariots, worn-out horses, breast-plates and helmets, bows and arrows, spears and shields, protective mantlets, draught-ox...
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14. Ɣef waya i d-yettawi ujenṛal uḥṛic ad yečč aɛdaw-is. Yiwen uɛekkaz n lmakla n weɛdaw yeswa ɛecrin n lmakla n yiman-is, akken daɣen yiwen uɛekkaz n lmakla-s yeswa ɛecrin n lmakla n yiman-is.
14. Hence a wise general makes a point of foraging on the enemy. One cartload of the enemy’s provisions is equivalent to twenty of one’s own, and likewise a single picul of his provender is equivalent to twenty from one’s own store.
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15. Tura akken ad neɣ aɛdaw, ilaq ad nerr irgazen-nneɣ ɣer wurrif; akken ad sɛun lfayda seg rrbeḥ n weɛdaw, ilaq ad sɛun arrazen-nsen.
15. Now in order to kill the enemy, our men must be roused to anger; that there may be advantage from defeating the enemy, they must have their rewards.
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16. Ihi deg umennuɣ n tkeṛyas, mi ara ttwaṭṭfen ɛecra neɣ ugar n tkeṛyas, ilaq ad d-ttunefk arraz i wid i tt-yeṭṭfen d imezwura. Ibankan-nneɣ ilaq ad rren amḍiq n wid n weɛdaw, ma d iṛakuten ad ten-id-nesdukkel, ad ten-nesseqdec akked wayla-nneɣ. Iserdasen-nni yettwaṭṭfen, ilaq ad ten-tḥedqem, ad ten-teǧǧem yid-wen.
16. Therefore in chariot fighting, when ten or more chariots have been taken, those should be rewarded who took the first. Our own flags should be substituted for those of the enemy, and the chariots mingled and used in conjunction with ours. The captured soldiers should be kindly treated and kept.
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17. Ayagi qqaren-as, aseqdec n ucengu yettwaɣelben akken ad yernu yiwen tazmert i yiman-is.
17. This is called, using the conquered foe to augment one’s own strength.
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18. Deg ṭṭraḍ, ihi, ad yili yiswi-k ameqqran d tarennawt, mačči d tiḥemmalin ɣezzifen.
18. In war, then, let your great object be victory, not lengthy campaigns.
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19. S wakka, yezmer yiwen ad iẓer dakken lqebṭan n lɛeskeṛ d netta i d-iḥekkmen ɣef twenza n wegdud, d netta i d-yeṭṭfen aɣbel ma yella aɣref deg talwit neɣ deg umihi.
19. Thus it may be known that the leader of armies is the arbiter of the people’s fate, the man on whom it depends whether the nation shall be in peace or in peril.
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AḤRIC WIS III. TAZRAWT S STRATAGEM
CHAPTER III. ATTACK BY STRATAGEM
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1. Yenna-d Sun Tzu : Deg tẓuri n ṭṭraḍ, ayen ifazen akk, d tuṭṭfa n tmurt n weɛdaw akken tella; ur yelhi ara ad tt-tcerreg neɣ ad tt-tesnegreḍ. Akken daɣen, yif-it ad d-teṭṭfeḍ taredsa akken tella wala ad tt-tneqseḍ, ad d-teṭṭfeḍ agraw, tarbaɛt neɣ tarbaɛt akken tella wala ad ten-tneqseḍ.
1. Sun Tzu said: In the practical art of war, the best thing of all is to take the enemy’s country whole and intact; to shatter and destroy it is not so good. So, too, it is better to capture an army entire than to destroy it, to capture a regiment, a detachment or a company entire than to destroy them.
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2. Ihi ma tennuɣeḍ yerna trebbḥeḍ deg meṛṛa imenɣiyen-ik, mačči d tazmert tameqqrant deg-s ad tferseḍ tazmert n weɛdaw mebla amennuɣ.
2. Hence to fight and conquer in all your battles is not supreme excellence; supreme excellence consists in breaking the enemy’s resistance without fighting.
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3. S wakka, talɣa tameqqrant akk n tgelda n yijenralen, d asewḥel n yiɣawasen n yeɛdawen; taneggarut ifazen akk, d asewḥel n temlilit n yiɣallen n yeɛdawen; taneggarut i d-iteddun, d aẓdam ɣef lɛesker n yeɛdawen deg wurti; ma d tasertit n diri maḍi akk, d aḥezzeb n temdinin yettwaḥerzen s uɣrab.
3. Thus the highest form of generalship is to baulk the enemy’s plans; the next best is to prevent the junction of the enemy’s forces; the next in order is to attack the enemy’s army in the field; and the worst policy of all is to besiege walled cities.
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4. Alugen d, ur ttḥerrik ara timdinin yesɛan lḥiḍ ma yella yezmer ad yettwakkes. Tlata n wayyuren i d-iteddun i uheggi n yiceṭṭiḍen, i uheggi n yiḥedran, i uheggi n yifecka yemgaraden n ṭṭraḍ, i uheggi n yiḥedran ɣer yidis n lḥiḍ, i tlata n wayyuren nniḍen i d-iteddun.
4. The rule is, not to besiege walled cities if it can possibly be avoided. The preparation of mantlets, movable shelters, and various implements of war, will take up three whole months; and the piling up of mounds over against the walls will take three months more.
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5. Ajenṛal-nni, ur yezmir ara ad yeṭṭef deg wurrif-is, ad d-yessali irgazen-is ɣer tmenɣiwt am yiɣerdayen n yiɣerdayen, s ugmuḍ d akken tlata seg irgazen-is ttwanɣan, ma d tamdint mazal ur tettwaṭṭef ara. D wigi i d ineḍruyen iweɛren i d-yettawi uḥemmal.
5. The general, unable to control his irritation, will launch his men to the assault like swarming ants, with the result that one-third of his men are slain, while the town still remains untaken. Such are the disastrous effects of a siege.
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6. Ɣef waya, aqerru-nni iẓewren yesseḥbibir ɣef lɛeskeṛ n yeɛdawen-is war amennuɣ; yettawi timdinin-nsen war ma yeḥreṣ fell-asent; yesseɣli tagelda-nsen war ma yeṭṭef aṭas n wakud deg lexla.
6. Therefore the skilful leader subdues the enemy’s troops without any fighting; he captures their cities without laying siege to them; he overthrows their kingdom without lengthy operations in the field.
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7. S yiɣallen-is ur yeffiɣ ara, ad yennuɣ ɣef tgelda, dɣa, war ma yesruḥ yiwen, ad yemmed rrbeḥ-is. D ta i d tarrayt n usewḥel.
7. With his forces intact he will dispute the mastery of the Empire, and thus, without losing a man, his triumph will be complete. This is the method of attacking by stratagem.
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8. D alugen deg ṭṭraḍ, ma llan ɛecra ɣer yiwen n yiɛdawen-nneɣ i ucengu, ad t-nezzi; ma llan xemsa ɣer yiwen, ad neẓdem fell-as; ma llan sin imuren fell-as, ad nebḍu lɛesker-nneɣ ɣef sin.
8. It is the rule in war, if our forces are ten to the enemy’s one, to surround him; if five to one, to attack him; if twice as numerous, to divide our army into two.
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9. Ma nemṣada, nezmer ad nennaɣ; ma ulac-aɣ cwiṭ, nezmer ad nerwel i ucengu; ma ur nemṣada ara akk, nezmer ad nerwel fell-as.
9. If equally matched, we can offer battle; if slightly inferior in numbers, we can avoid the enemy; if quite unequal in every way, we can flee from him.
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10. Ihi, ɣas akken amennuɣ yeqquren yezmer ad t-teg yiwet n tezmert tamecṭuḥt, ɣer taggara ilaq ad tt-teṭṭef yiwet n tezmert meqqren ugar.
10. Hence, though an obstinate fight may be made by a small force, in the end it must be captured by the larger force.
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11. Ma d aneɣlaf, d netta i d aɣrab n uwanek: ma yella aɣrab-nni yemmed deg yal tama, tamurt ad tili teǧhed; ma yella aɣrab-nni yexṣer, tamurt ad tili d tamecṭuḥt.
11. Now the general is the bulwark of the State: if the bulwark is complete at all points; the State will be strong; if the bulwark is defective, the State will be weak.
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12. Tlata n tarrayin i izemren ad d-yawi uselway tawaɣit i lɛesker-is:
12. There are three ways in which a ruler can bring misfortune upon his army:
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(1) S usuter i lɛesker ad yeddu neɣ ad yeqqel ɣer deffir, ur yeẓri ara belli ur yezmir ara ad yaɣ awal. Wagi qqaren-as aɛekkaz n lɛesker.
(1) By commanding the army to advance or to retreat, being ignorant of the fact that it cannot obey. This is called hobbling the army.
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(2) S uɛraḍ ad iḥkem ɣef lɛesker am wakken i iḥkem ɣef tgelda, ur yeẓri ara ayen yellan deg lɛesker. Ayagi yessexlaɛ allaɣ n userdas-nni.
(2) By attempting to govern an army in the same way as he administers a kingdom, being ignorant of the conditions which obtain in an army. This causes restlessness in the soldier’s minds.
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(3) S useqdec n yimḍebbren n lɛesker-is mebla lxilaf, s tuffra n umenzay aserdasi n usemsawi d tegnatin. Aya yeshetrif taflest n yiserdasen.
(3) By employing the officers of his army without discrimination, through ignorance of the military principle of adaptation to circumstances. This shakes the confidence of the soldiers.
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13. Maca ma yella lɛesker ur yettsellik ara yerna ur yettak ara laman, ccwal ad d-yas sɣur igeldunen-nniḍen. Ayagi d aḥerrek kan i d-yettawin deg lɛesker, d tuccḍa n rrbeḥ.
13. But when the army is restless and distrustful, trouble is sure to come from the other feudal princes. This is simply bringing anarchy into the army, and flinging victory away.
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14. S wakka nezmer ad nẓer belli llant semmus n tɣawsiwin i rrbeḥ:
14. Thus we may know that there are five essentials for victory:
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(1) Ad yerbeḥ win yeẓran melmi ara yennaɣ neɣ melmi ur yettnaɣ ara.
(1) He will win who knows when to fight and when not to fight.
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(2) Ad yerbeḥ win yessnen amek ara yeddu d yiɣallen imeqqranen d wid imeẓyanen.
(2) He will win who knows how to handle both superior and inferior forces.
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(3) Ad yerbeḥ win yesɛan lɛesker yesɛan yiwen n ṛṛuḥ deg yiserdasen-is meṛṛa.
(3) He will win whose army is animated by the same spirit throughout all its ranks.
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(4) Ad yerbeḥ win yessewjed iman-is, yettraǧu ad yeṭṭef acengu ur yessewjed ara.
(4) He will win who, prepared himself, waits to take the enemy unprepared.
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(5) Ad yerbeḥ win yesɛan tazmert n lɛesker yerna ur t-id-yessewḥel ara ugellid.
(5) He will win who has military capacity and is not interfered with by the sovereign.
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Tarennawt tezga-d deg tmusni n semmus-a n tneqqiḍin.
Victory lies in the knowledge of these five points.
8
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15. Ɣef waya i d-nnan : ma tessneḍ acengu yerna tessneḍ iman-ik, ur ilaq ara ad tugadeḍ agmuḍ n mya n yimenɣi. Ma tessneḍ iman-ik, ur tessineḍ ara acengu-inek, yal tarennawt i d-tettawḍeḍ, ad tt-tesɛuḍ ula d lexsara. Ma ur tessineḍ aɛdaw-ik, ur tessineḍ iman-ik, ad txeṣreḍ deg yal amennuɣ.
15. Hence the saying: If you know the enemy and know yourself, you need not fear the result of a hundred battles. If you know yourself but not the enemy, for every victory gained you will also suffer a defeat. If you know neither the enemy nor yourself, you will succumb in every battle.
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AḤRIC IV. TIXTIṚIYIN TIḤERFITIN
CHAPTER IV. TACTICAL DISPOSITIONS
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1. Yenna-d Sun Tzu : Imennuɣen yelhan n zik qqaṛen-d qbel belli ur zmiren ara ad xesren, syin ttraǧun tagnit akken ad xesren acengu.
1. Sun Tzu said: The good fighters of old first put themselves beyond the possibility of defeat, and then waited for an opportunity of defeating the enemy.
24
132
the_art_of_war_00082
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC IV. TIXTIṚIYIN TIḤERFITIN
82
2. Akken ad neḥrez iman-nneɣ seg lexsara, atan gar ifassen-nneɣ, maca tagnit n lexsara n ucengu, d ucengu s timmad-is i ɣ-tt-id-yettaken.
2. To secure ourselves against defeat lies in our own hands, but the opportunity of defeating the enemy is provided by the enemy himself.
22
137
the_art_of_war_00083
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC IV. TIXTIṚIYIN TIḤERFITIN
83
3. Ihi amennuɣ yelhan yezmer ad yeṭṭef iman-is seg lexsara, maca ur yezmir ara ad yeṭṭef deg lexsara n weɛdaw.
3. Thus the good fighter is able to secure himself against defeat, but cannot make certain of defeating the enemy.
20
110
the_art_of_war_00084
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC IV. TIXTIṚIYIN TIḤERFITIN
84
4. Ɣef waya i d-nnan : yezmer yiwen ad yissin amek ara yerbeḥ war ma yessaweḍ ad t-yexdem.
4. Hence the saying: One may know how to conquer without being able to do it.
18
90
the_art_of_war_00085
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC IV. TIXTIṚIYIN TIḤERFITIN
85
5. Taɣellist mgal lexsara tesɛa anamek n temḥaddit; tazmert n lexsara n weɛdaw tesɛa anamek n tuccḍa.
5. Security against defeat implies defensive tactics; ability to defeat the enemy means taking the offensive.
17
101
the_art_of_war_00086
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC IV. TIXTIṚIYIN TIḤERFITIN
86
6. Win yeṭṭfen iman-is, ur yesɛi ara lǧehd, ma d win yeṭṭfen, yesɛa aṭas n lǧehd.
6. Standing on the defensive indicates insufficient strength; attacking, a superabundance of strength.
16
81
the_art_of_war_00087
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC IV. TIXTIṚIYIN TIḤERFITIN
87
7. Ajenṛal i yessen ad iḥareb ɣef yiman-is, yeffer deg yiḥricen yeffren ma d win i yessen ad yeẓdem, yeffeɣ-d seg igenwan. S wakka, seg tama, nezmer ad nḥudd iman-nneɣ, seg tama nniḍen, ad nerbeḥ s lekmal.
7. The general who is skilled in defence hides in the most secret recesses of the earth; he who is skilled in attack flashes forth from the topmost heights of heaven. Thus on the one hand we have ability to protect ourselves; on the other, a victory that is complete.
37
205
the_art_of_war_00088
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC IV. TIXTIṚIYIN TIḤERFITIN
88
8. Win yettwalin tarennawt kan mi ara tt-id-tawi tqeḍɛit, mačči d win i d asawen n lxir.
8. To see victory only when it is within the ken of the common herd is not the acme of excellence.
17
88
the_art_of_war_00089
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC IV. TIXTIṚIYIN TIḤERFITIN
89
9. Ur yelli d aqeṛṛu n lɛali ma tennuɣeḍ, teṭṭefḍeḍ, dɣa tagelda meṛṛa tenna-d: "Aql-ikem txedmeḍ-t!"
9. Neither is it the acme of excellence if you fight and conquer and the whole Empire says, “Well done!”
16
101
the_art_of_war_00090
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC IV. TIXTIṚIYIN TIḤERFITIN
90
10. Ma yerfed yiwen acebbub n lexrif, mačči d azmul n tezmert tameqqrant; ma iwala yiwen iṭij d wayyur, mačči d azmul n tmuɣli ifazen; ma yesla i lḥess n ṛṛɛud, mačči d azmul n umeẓẓuɣ arurad.
10. To lift an autumn hair is no sign of great strength; to see sun and moon is no sign of sharp sight; to hear the noise of thunder is no sign of a quick ear.
37
192
the_art_of_war_00091
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC IV. TIXTIṚIYIN TIḤERFITIN
91
11. Win iwumi qqaren imezwura amennuɣ iḥercen, mačči kan d win i irebḥen, maca yessen ad yerbeḥ s sshala.
11. What the ancients called a clever fighter is one who not only wins, but excels in winning with ease.
19
105
the_art_of_war_00092
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC IV. TIXTIṚIYIN TIḤERFITIN
92
12. Ɣef waya, tarennawin-is ur s-d-wwint la ccan i tzemni-s, la ccan i tebɣest-is.
12. Hence his victories bring him neither reputation for wisdom nor credit for courage.
14
82
the_art_of_war_00093
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC IV. TIXTIṚIYIN TIḤERFITIN
93
13. Yettaɣ timenɣiwin-is ma yella ur yexdim ara tuccḍiwin. Ma ulac tuccḍiwin, d ayen i d-yettawin taflest n rrbeḥ, acku d ayen i d-yeqqaren rrbeḥ ɣef weɛdaw yettwaɣelben yakan.
13. He wins his battles by making no mistakes. Making no mistakes is what establishes the certainty of victory, for it means conquering an enemy that is already defeated.
29
176
the_art_of_war_00094
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC IV. TIXTIṚIYIN TIḤERFITIN
94
14. Ihi amennuɣ iẓewren yettarra iman-is deg umkan ideg ur yezmir ara ad yexser, yerna ur yesruḥu ara tagnit akken ad yexser acengu.
14. Hence the skilful fighter puts himself into a position which makes defeat impossible, and does not miss the moment for defeating the enemy.
23
132
the_art_of_war_00095
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC IV. TIXTIṚIYIN TIḤERFITIN
95
15. Akka ihi deg ṭṭraḍ, ameskar-nni irebḥen yettnadi kan ɣef umennuɣ seld ad yerbeḥ, ma d win iwumi d-yettunefk ad yexser yezwar amennuɣ, syin ad inadi ɣef rrbeḥ.
15. Thus it is that in war the victorious strategist only seeks battle after the victory has been won, whereas he who is destined to defeat first fights and afterwards looks for victory.
28
162
the_art_of_war_00096
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC IV. TIXTIṚIYIN TIḤERFITIN
96
16. Anemhal ifazen yettnernay asaḍuf aɣerfan, yerna yettḥadar mliḥ tarrayt d uḍebsi; dɣa deg tezmert-is i yella uselḥu n rrbeḥ.
16. The consummate leader cultivates the moral law, and strictly adheres to method and discipline; thus it is in his power to control success.
20
127
the_art_of_war_00097
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC IV. TIXTIṚIYIN TIḤERFITIN
97
17. Deg wayen yerzan tarrayt taserdast, nesɛa, amezwaru, Aktazal; wis sin, Aḥsab n tjumma; wis tlata, Aḥsab; wis rebɛa, Asemsawi n tegnatin; wis semmus, Tarennawt.
17. In respect of military method, we have, firstly, Measurement; secondly, Estimation of quantity; thirdly, Calculation; fourthly, Balancing of chances; fifthly, Victory.
25
163
the_art_of_war_00098
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC IV. TIXTIṚIYIN TIḤERFITIN
98
18. Aktazal yesɛa tilin-is ɣer Lqaɛa; Asekyed n tjumma ɣer Aktazal; Aḥsab ɣer Asekyed n tjumma; Asemsawi n tzemmar ɣer Aktazal; akked Tarbaɛt ɣer Asekyed n tzemmar.
18. Measurement owes its existence to Earth; Estimation of quantity to Measurement; Calculation to Estimation of quantity; Balancing of chances to Calculation; and Victory to Balancing of chances.
27
164
the_art_of_war_00099
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC IV. TIXTIṚIYIN TIḤERFITIN
99
19. Taredsa irebḥen mgal tin yexṣerben, am lpawnd n lmizan mgal yiwen n yiɣil.
19. A victorious army opposed to a routed one, is as a pound’s weight placed in the scale against a single grain.
14
78
the_art_of_war_00100
the-art-of-war
The Art of War
Taẓuri n Ṭṭraḍ
Sun Tzu
1,910
military_philosophy
eng
kab
AḤRIC IV. TIXTIṚIYIN TIḤERFITIN
100
20. Aḥemmal n tezmert i d-yeṭṭfen amzun d aman i d-yeqqimen deg yiwet n tfergact lqayen azal n alef n lmitrat.
20. The onrush of a conquering force is like the bursting of pent-up waters into a chasm a thousand fathoms deep.
21
110
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KabLiterary

A 28,907-paragraph, 657,713-word corpus of classical world literature in canonical Kabyle Latin orthography, from the AƔBALU project.

Eleven works — translated or originally composed in Kabyle — spanning epic poetry, gothic fiction, philosophical prose, folktales, military strategy, and 19th-century novels. The corpus is designed for language modelling, vocabulary probing, fine-tuning, and literary translation benchmarking where long-form, high-register Kabyle text is required.

from datasets import load_dataset

ds = load_dataset("agbalu/KabLiterary")
# DatasetDict({
#     'train': Dataset(27619),
#     'dev': Dataset(352),
#     'test': Dataset(936)
# })

Splits

Split boundaries are at the book level. No paragraph from a dev or test book appears in train.

split books paragraphs words characters purpose
train 9 books 27,619 630,454 3,837,504 Pre-training, instruction tuning, MLM
dev The Prophet (Nnbi) 352 4,243 24,240 Hyperparameter tuning, dev loss
test Alice in Wonderland (Tirmit n Alice) 936 23,016 138,756 Held-out perplexity, generation eval
total 11 books 28,907 657,713 4,000,500 Full literary corpus

Corpus Inventory

Book Kabyle Title Author Year Source Genre Split Paragraphs Words
The Count of Monte Cristo Lkont n Monte-Cristo Alexandre Dumas 1844 French Adventure fiction train 4,362 106,000
Les Misérables Imeɣban Victor Hugo 1862 French Historical fiction train 2,862 96,315
The Confessions Isteɛṛufen n Uɣustin Aqeddis Augustine of Hippo 397 English (Latin) Theology / Philosophy train 1,336 91,652
Dracula Dracula, Amudir n Yiḍ Bram Stoker 1897 English Gothic horror train 2,239 133,380
The Arabian Nights Alf Yiḍ d Yiḍ Anonymous / A. Lang 1898 English (Arabic) Folklore tales train 1,737 85,944
The Odyssey Asikel n Ulises Homer / S. Butler -800 English (Greek) Epic poetry train 14,427 101,584
The Art of War Taẓuri n Ṭṭraḍ Sun Tzu / L. Giles 1910 English (Chinese) Military philosophy train 410 9,803
The Fables of Bidpai Timucuha n Bidpai Bidpai / Ibn al-Muqaffa 1884 English (Sanskrit) Fables & folklore train 106 5,013
Poems of Si Mohand Isefra n Si Mohand u Mhand Si Mohand u Mhand 1904 Kabyle (original) Classical poetry train 140 763
The Prophet Nnbi Kahlil Gibran 1923 English Poetic philosophy dev 352 4,243
Alice in Wonderland Tirmit n Alice deg Tmurt n Lɛeǧayeb Lewis Carroll 1865 English Children's fiction test 936 23,016

Isefra n Si Mohand u Mhand is the single original Kabyle work — oral poetry transcribed by Mouloud Mammeri and not derived from any source language. All other works are machine-translated from the source editions listed above.

Schema

Every record shares a fixed rectangular schema:

field type description
id string Unique record identifier (e.g. kabliterary_train_00001)
book_id string Canonical book slug (e.g. le-comte-de-monte-cristo, alice-in-wonderland)
book_title string Standard title in English or original language
book_title_kab string Title in Kabyle Latin orthography
author string Author name
year int32 Original publication year (negative for BC dates)
genre string Literary genre classification
source_language string ISO 639-3 code of the source language (fra, eng, kab)
target_language string ISO 639-3 code of the target language (kab)
chapter string Chapter or section title
paragraph_id int32 1-indexed paragraph counter within the work
text string Kabyle literary text in canonical Latin orthography
source_text string Aligned source text where 1-to-1 line parallel; empty string elsewhere
word_count int32 Word count of the Kabyle text
char_count int32 Character count of the Kabyle text

source_text is populated only for works where line-level alignment was preserved during translation — The Art of War, The Prophet, and Isefra n Si Mohand u Mhand. For the longer prose novels, paragraphs were batched during translation and source_text is empty.

Usage

Default splits

from datasets import load_dataset

dataset = load_dataset("agbalu/KabLiterary")
print(dataset["test"][4]["text"])
# 'Tella Alice tebda teɛya aṭas seg akken teqqim ɣer tama n uletma-s...'

Filtering by work or genre

from datasets import load_dataset

train = load_dataset("agbalu/KabLiterary", split="train")

# French 19th-century novels only
french_novels = train.filter(
    lambda row: row["book_id"] in ("le-comte-de-monte-cristo", "les-miserables")
)
print(f"{len(french_novels):,} paragraphs, {sum(french_novels['word_count']):,} words")

# Records with 1-to-1 source alignment
parallel = train.filter(lambda row: len(row["source_text"]) > 0)
print(f"{len(parallel):,} line-level parallel records")

Full plain-text books

All 11 works are included in the repository's books/ directory:

git clone https://huggingface.co/datasets/agbalu/KabLiterary
ls KabLiterary/books/
cat KabLiterary/books/the-prophet.txt

Curation

Translation

The ten translated works were produced by NLLB-based machine translation and subjected to a multi-stage quality pass before inclusion:

  1. Repetition pruning. 276+ beam-search generation loops were detected and removed across all ten texts. No tail-degenerate paragraph survives in any split.
  2. Heading localisation. Residual French chapter headings in Les Misérables and other works were translated into standard Kabyle Latin (e.g. L'évêque travaille → Aselway ixeddem, L'Alouette → Tiwiziwt).
  3. Source-language artifact removal. Any paragraph retaining a title or quotation in English or French was re-translated or manually corrected to Kabyle.

Orthography

All text is normalised to AƔBALU canonical Kabyle Latin orthography (ɣ ɛ ḥ ḍ ṣ ṭ ẓ ṛ č ǧ). A census across all 28,907 records confirmed:

  • zero Greek epsilon homoglyphs (ε U+03B5)
  • zero soft hyphens (\u00ad)
  • NFC normalisation throughout

HTML entities (" and variants) were repaired to standard punctuation during the quality pass.

Known Limitations

  • Machine-translated syntax. Ten of eleven works are machine-translated. The text is fluent and orthographically correct, but phrase-level structure carries influence from the French or English source. No human post-editing was performed beyond the artifact and heading corrections described above.
  • No 1-to-1 paragraph alignment in prose novels. Longer works (Monte-Cristo, Les Misérables, Dracula, The Arabian Nights) were translated with multi-sentence batching. Paragraph boundaries do not map to individual source sentences.
  • Archaic and specialised vocabulary. Works such as Confessions of Saint Augustine and The Odyssey require theological and classical vocabulary that has no established Kabyle equivalent. The translations use loan-adapted morphological frames; the decisions are internally consistent but not reviewed against a Kabyle lexicographic standard.
  • Single source edition per work. Each translation was produced from one source edition. Variant readings, abridgements, or multi-edition differences were not considered.

Reproduction

make release-kabliterary

The dataset is assembled by tools.build_kabliterary from the verified texts in artifacts/translations/ and data/documents/.

Citation

@misc{agbalu_kabliterary,
  title  = {KabLiterary: A 657K-Word Corpus of Classical Literary Translations in Kabyle},
  author = {AƔBALU},
  year   = {2026},
  url    = {https://huggingface.co/datasets/agbalu/KabLiterary}
}

Licence

CC-BY-SA-4.0. Source texts are public domain (Project Gutenberg and digitised archives). Translations and the assembled dataset are produced by the AƔBALU project under CC-BY-SA-4.0. Attribution is required; derivative datasets must carry the same licence.

Part of AƔBALU, a Kabyle NLP corpus and model suite.

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